What a thrill to experience women’s quest for equality through the play, “Gloria: A Life”in New York City this past weekend! The theater-in-the-round evoked Gloria Steinem’s living room, with each seat backed by a colorful pillow, the stage filled with Persian rugs and ethnic prints, stacks of books, and electrified by a powerful ensemble cast of eight women actors. Multi-media projections brought history to life as Christine Lahti enacted Steinem’s career, starting as a “girl writer” in the news industry of the time, which was unashamedly dominated by white men, also portrayed to entertaining effect by women actors.
For two hours, we were THERE with the young Gloria as she struggled to escape the pink ghettos of fashion and beauty writing assignments, as she fought to gain recognition for her skills rather than her looks, and as she learned from experienced African-American organizers. Over the decades and in community with other women, she gained the courage to overcome her fear of public speaking and began her life’s work as an organizer. We learned with her, as she spoke with other activists hundreds of times each year, learning and educating around a still-radical notion: women and men arefully equal and human.
My fifteen-year-old granddaughter sat riveted throughout the performance, and said she learned a lotthat she had not known about the women’s fight for equality. I learned a lot too:
- That the U.S. Constitution was modeled after the Iroquois Confederacy, that Benjamin Franklin invited two Iroquois men to attend the Constitutional Convention as consultants, and that their first question was, “Where are your women?”
- That despite denigrating public pronouncements by national (male) TV commentators, the first issue of magazine, which Steinem co-founded and published free of fashion and beauty advertising in 1971, sold out in Los Angeles in just eight days.
- That experienced women activists of color were allowed to speak to the media only about race while Steinem, a newbie, was elevated as the spokesperson for women’s issues (which might explain a lot about racial tensions surrounding the 2016 Women’s Marches.)
- That the protesters who piled bras, girdles and other restrictive clothing into a barrel never set a match to it because they could not get a fire permit and were too obedient to break the law, even though the press forever after dubbed them “Bra Burners.”
And so much more. What a great teaching tool! I hope the play becomes popular in high school theater programs because young people need to understand what it took to gain the rights they enjoy today.
The play is adapted from Steinem’s fascinating 2015 memoir My Life on the Road, and if you can’t get to New York to see the play, you should read the book. At the performance I attended, which was a benefit for TakeTheLead, Steinem herself led the audience discussion that forms an integral part of every performance. Women and men, young and old, asked questions, shared personal stories, and expressed their appreciation for the doors Steinem and her peers opened for all women today. Rights young women take for granted today were absolutely outrageous ideas then. Sexual harassment, previously accepted as “just life,” is now a thingthat women can fight. Today women have a legal basis for seeking equal pay, equal opportunity, and the right to control our own bodies, even though progress is uneven and continually threatened.
Steinem, now 84, noted in her closing comments one benefit of growing old: she can remember when things were so much worse than today. She stressed that women’s equality is not something to be won in a mass movement later, but by each woman every day doing a small thing to stand up for equal rights. We gain the courage for those actions by connecting and living in community with others, sharing our stories, laughing and crying, and making our plans together. She left us with a challenge and a question: “What outrageous action for equality will youtake in the next 24 hours?”